02.08.2020
Valentine de Saint‑Point
On April 3,1917, dancer Valentine de Saint-Point performed at New York City's Metropolitan Opera House. de Saint-Point, French Poet and Dancer, Who Finds Fifth Avenue Ridiculous, Decribes ‘La Metachorie,’ New Art.” “Mme. Valentine de Saint-Point (1875–1953), formerly a model for Alphonse Mucha and Rodin, began her life as an artist desired by two important Italian leaders of the avant-garde established in Paris.By 1904 she lived with Ricciotto Canudo, director of the reviews Europe Artiste and Monjoie! Vercell Anna Jeanne Valentine Marianne de Glans de Cessiat- 1875-1953.
The second point I will deal with obliquely; that is, rather than debating whether her position as a woman among the Futurists was unique, I will consider how she saw being female as meaningful in her work. En dat is ook in de wereld van de Franse letteren het geval geweest, maar inderdaad geen Wet van Fransen en Nederlanders.
She was a writer, poet, painter, playwright, art critic, choreographer, lecturer and journalist. © 2006 ROND1900.NL | Weblog over cultuur rond 1900 Studienarbeit aus dem Jahr 2009 im Fachbereich Romanistik ... Im Folgenden werden Personen sowie verschiedene kunstlerische Stromungen aufgefuhrt, die das Schaffen von Valentine de Saint-Point beeinflussten. We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to On April 3,1917, dancer Valentine de Saint-Point performed at New York City's Metropolitan Opera House. de Saint-Point Takes Opera House to Show Her Geometric Poem-Dances.” “Mme. This data will be updated every 24 hours.Check if you have access via personal or institutional loginCheck if you have access via personal or institutional login“Geometric Dancing is Brought to America by French Woman.” “Is the Sun Proud of His Daughter? Vercell Anna Jeanne Valentine Marianne Desglans de Cessiat- 1875-1953.
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Valentine de Saint-Point, born Anna Jeanne Valentine Marianne Glans de Cessiat-Vercell (Lyon, 16 February 1875 - Cairo, 28 March 1953), was a woman of letters and a French artist. Uber Valentine de Saint-Points Manifeste de La Femme Futuriste (Paperback). (crucial for Cubist studies) and future author of the Manifesto of Cerebrist Art. Ernest Flammarion, 1926) staat:Tja, waarom zou het geen echte naam zijn, er zijn in Nederland genoeg mensen die Van Deventer heten of Van Tricht bijvoorbeeld.Dat is gebaseerd op veel eigen ervaring, in mijn eigen kranten- en tijdschriftenomgeving: ik heb eens een stuk of acht collega’s tegelijkertijd gehad, die naar hun woonplaats ‘heetten’, en zelfs is het gebeurd dat we pas na iemands overlijden vernamen dat er al die tijd sprake was geweest van een (plaatsnaam-)pseudoniem. It is accepted as common knowledge (a term which may be stretching the point somewhat, given the relatively small body of writings which refer to her) that she was a) a Futurist, b) one of the very few, if not the only, female Futurists, and c) the only, if not one of the very few, Futurists to perform in New York.Actually, none of these “facts” is entirely documented. Saint-Point is een gemeente in het Franse arrondissement Mâcon (Saône-et-Loire), en het is heel lang een veel voorkomende gewoonte geweest van veel schrijvers en journalisten, ook in ons land, om als schuilnaam de woonplaats, geboorteplaats of de stad in de directe omgeving, daarvoor te gebruiken.Hm, had ik niet aan gedacht, dank.
Futurist Dancing.” “Mtne. Valentine de Saint-Point. 8 reacties op “Valentine de Saint-Point?” Sander, je moet er maar van uit gaan dat het hier om een pseudoniem gaat. Rodin’s muse, the experimental dancer, writer, painter and critic Valentine de Saint-Point was a busy woman, contributing to many salons of the Belle Époque before turning to Italy in 1912. I will not argue here for or against Saint-Point's definitive categorization as a Futurist. Sander, je moet er maar van uit gaan dat het hier om een pseudoniem gaat. The first point interests me as well—again, obliquely. Instead, by verbally reconstructing a performance and analyzing a body of written work related to it, I will examine Saint-Point's associations with Futurism and other experimental movements in performance taking place within the same general timeframe.Email your librarian or administrator to recommend adding this journal to your organisation's collection.Email your librarian or administrator to recommend adding this journal to your organisation's collection.Full text views reflects the number of PDF downloads, PDFs sent to Google Drive, Dropbox and Kindle and HTML full text views.Abstract views reflect the number of visits to the article landing page. Valentine de Saint-Point Talks of Her Church of Music.”
In this essay, I will leave the third point untouched, assuming this aspect of Saint-Point's singularity to be at least relatively accurate.
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