02.08.2020

Jose t Joya famous works

This last series also confirms the ageless renewal in Joya’s Blueprints for 2050 showcased architects' and designers' visions of the Philippines three decades from the present. When he returned from Michigan in 1957, his work displayed a raw power and energy that fed off from his mentored experience with Abstract Expressionism, which was then at the height of its popularity in the US. And yet, as he revealed in his published memoirs, he approached the academic tedium with vigor and excitement: “As a conscientious student, I faithfully followed their lead while proceeding, on the side, to experiment to satisfy my own investigative inquiry into the creative impulse.”Though he would never forget the lessons pounded into his head by these rigid classicists, Joya would relish the freedom and forward-looking atmosphere that he experienced at the Philippine Art Gallery (PAG) run by Lyd Arguilla in the early Fifties in Mabini. His affinity for the male nude, drawn from professional models, bodybuilders, and farmers and fishermen whom he discovered in his travels, is notable for its grace, as well as its underlying homoerotic appeal.From the late-Seventies to the mid-Nineties, Joya would also be immortalized for his last series of mixed media works utilizing handmade paper, acrylic paint, and glue, pasting up compositions that were subtly evocative of nighttime landscape scenes, with a pale red sun or white moon hovering in the “horizon” formed by overlapping, gauzy pieces of paper and painted shapes. It was the early 1950’s and television had not yet been introduced to the islands. León Gallery has rounded up 167 pieces of artworks, antiques and objets d’art from prestigious provenances for its Kingly Treasures Auction 2018 on Dec. 1. Often of a large or dramatic scale, Joya’s abstracts followed a process of visual and formal reduction based on an observation of nature. In the “Balik-tanaw" exhibit, the National Museum and the Jose T. Joya Family Collection strive to show the national artist’s works as “evidence of Joya’s creation of a characteristic idiom that both encompassed and transcended foreign abstract art." Despite the classical bias and hegemonic force of the Amorosolo school that fuelled the UP’s Fine Arts curriculum in those days, Joya was drawn to the dynamic and subversive power of abstract expressionism.

Here, he would meet and talk to such modernist heavyweights as National Artists Hernando R. Ocampo and Vicente Manansala, Anita Magsaysay-Ho, Fernando Zobel, and Arguilla herself.

Jose Tanig Joya (1931-1995), declared National Artist in 2003, came from a singularly gifted generation of artists who were part of the prolific Trained by conservatives like Guillermo Tolentino, Fernando Amorsolo, Dominador Castañeda, and Toribio Herrera, Jose T. Joya nonetheless became immortalized for his tireless championing of Philippine Abstraction. In these sketching tours, he would meet and start organizing local artists from places as disparate as Malolos, Bulacan; Bacolod City; and Cebu City to undertake their own efforts in putting together a viable artist’s forum for mutual self-development and artistic excellence.He would initiate the Jose T. Joya Awards for the Fine Arts students at UP Cebu College in 1977, which is still being held annually. As an educator who served as dean of the UP School of Fine Arts from From the mid-Seventies until the Nineties, Joya would also be famed for his exquisite pencil drawings of mother and child, and in particular, nudes. Jose Joya was a Filipino Asian Modern & Contemporary artist who was born in 1931. Never failing to impart to his students the need to learn firsthand about the experience of the human figure as an endlessly fascinating combination of forms and gestures, Joya joined them in the discipline of nude sketching. It was a habit that he also propagated in his frequent tours around the countryside despite the travel ban under Martial Law from 1972 to 1976. Alternatively, Joya would also use a more melodic application of thick areas of flat color, laid in with blocks resembling boulders or masonry. As the first Filipino modern artist of international renown, Joya traversed the globe, exhibiting his works in the US, Europe, Asia and the Pacific and representing the country in prestigious biennales abroad. Granadean Arabesque, oil on At the same, the young Joya was also seduced by the mystery of foreign, exotic lands. It was the cerebral intellectualism of the Moderns that attracted Joya to their cause.He participated in the pivotal Exhibition of Non-Objective Art in Tagala at the PAG in 1953, and held his first solo exhibition there in 1954. National artist Jose Joya was a pioneer modern and abstract artist who was active as a painter, printmaker, mixed-media artist and ceramicist. His works from the late Fifties to the late Sixties, using a cheaper oil paint substitute called Hubock White, combined a highly kinetic application of paint on canvas, slashed on with great energy from a palette knife to form strong diagonals and rich contrasts between lines and planes.

It set a record for the highest price ever paid for art in the Philippines at auction, according to Leon Gallery director Jaime Ponce de Leon. MANILA -- From a starting bid of P22 million, Jose Joya’s 1959 abstract work “Space Transfiguration” was sold for P112 million Saturday at the Leon Gallery Auction in Makati. Landscapes, trees, rivers, rocky peaks and cities were the sources of his vision, to be rearranged and simplified into lines, planes, colors, and “visual sensations.”In the Seventies, Joya discovered the advantages of acrylic paint, with its bright chromas, short drying time, and non-toxic effect on his sensitive constitution. “Untitled” by José Joya.

Tomorrow, we are launching yet anoThe Tropical Architecture For The 21st Century book series by BluPrint features contemporary houses designed by Southeast Asian architects for SoutheaBlueprints for 2050 gives Filipinos a glimpse of our future built environment.

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